It's been a while since I've reviewed episodes from Osamu Dezaki's Black Jack OVA, and these two episodes see the sagacious sawbones in tow of an ill-fated Latin American rebel force and try to find a hidden threat in the body of a promising young actress. Our favorite stitched up surgeon, our enigmatic expert, our heroic healer faces off against the military-industrial complex, biological weapons, and a rival who's enthusiastic about euthanasia in two interesting, if not always brilliant, entries into his many adventures.
I've been trying to get a review of Moribito done for a while, but every test video I did had difficulty with the copyright dragons (as this may still). You know, there's a lot of anime I have in my personal collection that I would love to review, but I don't think I'd be able to get away with using my usual methods. I try to shave down clips and edit tighter, and I've probably gotten a little better at it over time, but you never really know when some overzealous European licensor or strict music company is going to clamp down on your videos. I mean, I get it, you want to protect your IP and/or streaming rights, but I'm not exactly posting whole movies or episodes here, these are reviews that fall under Fair Use.
But shhhh... if I talk about it too much, the copyright dragons will stir from their slumber.
What happens when an anime studio, desperate to cash in on its properties, creates a so-called movie that's about the length of a single TV episode? What happens when an anime licensor snags a 20-something minute "movie" in a franchise completely alien to the North American public, dubs it, and that becomes the first and only representation of the whole thing? Well, you get Ninku: The Movie, a completely superfluous and brainlessly silly feature for a show based on a really, really poorly drawn manga. I mean, really. Just go look it up.
But hey, penguin farts. That's what the kids are into, right? At least the animation's good.
(Basic) Synopsis (Spoiler Free): It's Universal Century year 0097. A year after the "Laplace Incident", there are once again calls for autonomy for Spacenoids, but little being done about it. As if to break the stagnation, the third Gundam Unicorn model, the Phenex, thought to have been lost years previous, reappears. Both the Earth Federation and the Neo-Zeon remnants are determined to capture it for its Newtype capabilities, but they seem to be chasing a literal ghost in the form of its pilot, Rita Bernal. What did she, a Miracle Child, see so many years before that brought these events in alignment? And can either side prevent the bizarre Zoltan Akkenan from igniting a tragedy worse than anything seen before? The Pheonix Hunt will test the limits of all parties!
In the final part of my look at Ronin Warriors (well, at least until I cover the OVAs, but let's give it a break for a while), I take a look at Lady Kayura, the excellent opening themes, shameless toy marketing, several episodes of just Ryo and Rowen, and one of my favorite concluding episodes in an anime.
But why stop there? Why not a lot of unasked-for drama to pad this sucker out that's just me screwing around with sprite characters? Nothing fancy, just me wasting your time and mine, for the sake of fulfilling some weird desire to do more comic strip storylines.
The 2019 season of Otaku Evolution has started! I'm sure all four of you who watch these videos are jazzed about it. Just as I'm sure you're psyched to see one of my patented long introduction sequences wherein I'm just screwing around with the sprites. Nevermind the blatantly stupid perspective on that meeting room (it's worse if you look at the whole thing), I had this idea of a grief counseling scene where I would stumble in and just be really oblivious to everyone there in favor of the snacks. And yes, that was a dodgy attempt at a German accent for Herr Doktor.
I know nobody gives a crap about my dumb sprite padding material, most especially because if you hadn't ever read my comic strips, there's about zero context, and you can't even read them anymore, except the sparse amount I put up on my DeviantArt gallery. The whole "storyline" bullshit? It's for me. It's basically just for me to work out story ideas I had that I never got to in my strips. Hopefully it provides some kind of atmosphere, regardless of context. But that aside, while I am committed to doing *less* of it in 2019, you'll still see it. It's not like I get any more or less views in videos that have it.
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